Cartes postales du centre de Reno
Assemblages intermédiaires et culturels
DOI :
https://doi.org/10.48162/rev.45.040Mots-clés :
Ensamblaje, Intermedialidad, Cultura estadounidense, TurismoRésumé
L’article examine les cartes postales touristiques en lin qui représentent le centre de Reno dans les années 1930 et 1940. L’article adopte la notion d’assemblage pour comprendre ces cartes postales comme des objets culturels intermédiaires et identifier les tensions et résonances entre couleurs, techniques et matériaux, médias (y compris le cinéma), l’expérience cinématographique de la ville et l’attente de la représentation affective des cartes postales. En outre, l’article montre comment les cartes postales ont servi d’agents culturels dans la reformulation et la vision de Reno comme "la plus petite ville du monde" et refuge pour la culture blanche "étatsunienne ".
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Références
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